Visual aesthetics in movie Once upon a time in the west, and Frida Essay

Visual estheticals in movie Once upon a period in the west, and Frida - Essay ExampleIn rare form, the films aesthetics skillfully incorporates Kahlos paintings into real scenes, often guidance for several minutes on the slight differences between realized canvas and filmed reality. The visuals are single of the films strongest points. The same fluid efficiency that the direction produces during the scenes focused on the interplay between paint and flesh impressively permeates the whole film. The camera work, lighting and costumes assist in producing the aesthetic visualizations of the film.Another part of the movies visual aesthetic is the rather stilted animations that occur between certain scenes of the film. Borrowing images from Kahlos work and almost always pertain on death another very visible theme of the movie, these transitions are eerie and strangely powerful. A scene early in the film, when Rivera is proposing to Kahlo, he tells her that while he can never be faithf ul, he promises at least his loyalty. The film itself makes a similar promise to its audience, and while in one champion Frida isnt worthy of its subject, it always remains loyal to her aesthetics.The films constant visual backdrop is of a new townspeople in the process of being built in the middle of the desert, a town that will be called Sweetwater, due to its valuable water supply which will be an important way station for the comin